Orleans News

Culturally wealthy, however unable to rebuild


This story is certainly one of 5 tales in The Lens’ Embracing Katrina Narratives undertaking.

Artist Lionel Milton, a Decrease ninth Ward native, grew up steps away from New Orleans royalty , R&B singer Fat Domino, whose black and yellow home stands on Fat Domino Avenue, not removed from Milton’s dwelling at 1429 Flood St. Different musicians and artists additionally lived close by, all celebrities throughout the tight-knit Decrease 9.

Normally on a heat New Orleans day, younger Lionel could possibly be discovered skateboarding by the streets on the lookout for a frozen cup, taking part in soccer with buddies, drawing on paper, or spraying artwork graffiti on deserted partitions , within the Milton model that’s now well-known from Jazz Fest and Mardi Gras posters and artwork hung in galleries all over the world. 

Nonetheless, to today, each skyline he paints is from the attitude of the Decrease 9 Mississippi River levee.

The canvas that’s Lionel Milton is completely imprinted by the Decrease 9, as a result of each side of his household are from the realm. When he returned to the neighborhood a couple of weeks after the 2005 flood –  as soon as the ninth Ward opened again up –  all he noticed was devastation inside his Flood Avenue dwelling, from the breached federal levees that had opened up onto the neighborhood.

“The stoop was all tousled, the ceiling had fallen in, all of the wooden was uncovered, and the stuff was molded,” Milton says, recalling the destruction.


Lionel Milton, a former Decrease ninth Ward resident and artist, gestures towards the realm on Flood Avenue the place his household as soon as lived within the neighborhood. (Photograph by La’Shance Perry | The Lens)

When Milton was a baby, a storm swirling within the Gulf of Mexico didn’t robotically set off plans to evacuate. So Milton’s household, like many different folks, deliberate to trip out Katrina, like each different hurricane. The evening earlier than the storm made landfall, Milton all of the sudden determined to evacuate, after he skilled what gave the impression to be an omen.

He was at his condominium within the sixth Ward and he had some paint that he wished to eliminate. He thought, “‘Lemme put this exterior.’” At that time, it was raining laborious. He grabbed the trash bag anyway and headed to the door.

However as he walked to the rubbish can, a lens popped out of his glasses. Within the pouring rain, the lens fell into shifting water and was pulled down a drain. He phoned a pal for assist. “ I used to be like, ‘Yo, so that you gotta come assist.’” The pal discovered the lens. However the concept of Milton staying within the metropolis by the storm was too overwhelming. She received on their knees and cried and screamed at him to go away.

The 2 of them ended up packing up and leaving town, ending up in Acadiana. 

Fortuitously, no household was left in the home on Flood Avenue, as Katrina’s large eye rotated within the Gulf. Lower than 24 hours later, the Jourdan Avenue levee broke, submerging his household dwelling as much as its roofline. 

Sitting in Lafayette, he watched on tv, as Katrina tore by town. The devastation was crushing; he remembers watching WDSU meteorologist Margaret Orr breaking down on digicam, as he watched her report about Katrina and the harm it had wrought.  Within the Decrease 9, folks in attics and on rooftops waited days to be rescued by helicopter or by boats that usually ferried folks to the St. Claude bridge, leaving them on dry land, however with few choices besides a stroll to the Conference Heart – which had opened as a shelter of final resort however had no meals or water. 

Even the Decrease 9’s royalty was in hassle. Surrounded by floodwaters, Fat Domino was airlifted out of his dwelling – however his destiny was unknown for a couple of weeks, as false rumors unfold that he had handed through the storm.

The Decrease 9 was now not his carefree childhood stomping floor. It was a wasteland.


The latest LIonel Milton mural, mounted on Interstate 10 West on Friday, simply in time to be considered by Tremendous Bowl guests. (Photograph by Lionel Milton)

As quickly as he may Milton made his means again to his Treme condominium and considered town from his second-floor balcony, which is when he realized the magnitude of the storm.

“I broke down proper there. It was like, only a large vast foot simply – ‘increase!’ – knocked all the things over. And I don’t even wanna bear in mind,” says Milton, as he thinks again to the post-storm realization.

He’s a skilled artist. Somebody who sees photographs and commits them vividly to reminiscence. However the stage of injury in entrance of him was too overwhelming for him to even absorb. “It was the entire metropolis, as far I may see,” he stated. “I knew it might by no means be the identical. It’s the place we at now.”

The place we’re at now, 20 years later, is discouraging to him. Too many deserted properties nonetheless stay, with spray painted X codes on the entrance. A 2008 examine by PolicyLink discovered that Street Residence rebuilding formulation, which gave grants to rebuild primarily based on pre-storm property values – not price to rebuild – left the common Decrease 9 home-owner with a $75,000 shortfall.

He remembers coming dwelling, seeing the home in its deplorable state, and nonetheless having hope. “In any case, the inventor of rock’n’roll lived 4 blocks away,” he stated. That’s the best way it’s for the Decrease 9, it’s each tragedy and comedy, down and up, optimistic and destructive, he stated. Right here was a neighborhood that was, earlier than Katrina, brimming with musicians, athletes, artists and longtime Black householders. 

All of that is necessary for all guests to know, whether or not they’re coming for the Tremendous Bowl or in any other case, Milton stated. As a result of, regardless of the neighborhood’s wealthy historical past and his household’s devotion to the home on Flood Avenue, the rebuilding course of proved too tough.

An empty lot now stands as a replacement.

This story has been up to date to clarify that the 2005 devastation that we regularly refer to easily as “Katrina” was brought on by insufficient flood-protection design and building by the U.S. Military Corps of Engineers that triggered native levees to breach, submerging communities just like the Decrease 9.


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